The Lady Paranorma es un cortometraje de animación digital de apenas cuatro o cinco minutos de duración. Hace un año que comenzó su exhibición en diferente festivales de cine alrededor del mundo y a ciencia cierta, no se sabe cuándo podrá ser visto fuera de esos circuitos
:P
Su temática es oscura y nostálgica y tiene como narrador nada menos que a Peter Murphy
:)
Aquí la historia de cómo surgió Lady Paranorman en 'voz' de su propio autor
Vincent Marcone también conocido como My Pet Skeleton:
An idea can sometimes take you on a fantastic and very unexpected
journey. One of my adventures started this way about 7 years ago on a
rainy Sunday afternoon…
I was in my studio fussing over the details and finishing touches for a
series of etchings I had created for an art show. On one end of the
studio, my dilapidated paint covered television (I called him “Frank”)
was offering up various black and white cartoons. His inner speakers had
died years ago, so he was technologically mute, but I kept him around
because he still provided company while being less of a distraction.
On the other end, my stereo system “Mildred”, who had seen better days
(as it turns out it was a rather cruel idea to place candles within
flames reach of her plastic speakers), was randomly choosing a
particularly schizophrenic mix of music. Bjork was crooning about her
“army of me”… then passed the the sonic baton unto Mister Reznor who was
fucking something “like an animal”… in a moment my idea would begin to
take shape.
I had flopped myself onto the nearest couch and focused on “Frank”, who
began to play a new black and white cartoon for me. It was one of the
very first Disney cartoons (known as ‘comics’ at the time) called “The
Skeleton Dance”. As if queued, my dear “Mildred” began to spin one of my
favourite songs from one of my favourite bands, a band that I could
easily blame for turning me on to gothic culture and alternative music
when I was a just a wee wriggling larva… Bauhaus
“Hollow hills” eloquently faded into the room as the cartoon flickered
into place. My state of exhaustion may have gotten the better part of my
perceptions, but it seemed that the the black and white skeletons were
waltzing in perfect time with Peter Murphy’s haunting vocals. It was an
incredible happenstance to witness Bauhaus soundtracking a Walt Disney
short about an undead troop of boney dancers. When does THAT ever
happen?!? This strange pairing elicited the vision of a warped cartoon
of my own coming to life, and that was when I imagined the birth and
demise of “The Lady ParaNorma”
Throughout the next few years I took time in between art shows and
projects to refine the sketches and work on the writing, which
essentially became a long poem. The idea was to create a short that felt
like it could settle quite nicely circa 1930, while maintaining a
slightly juxtaposed feeling. The imagery needed to feel odd and
unsettling and I wanted the story to feel creepy and personally
authentic. My band mates in Johnny Hollow stepped in to take hold of the
music and created a wonderful sonic backdrop. It took a few years to
get the right people to make the project happen, but I eventually found
the perfect team to help me create the film. I was also fortunate enough
to have the right government funding in place. (Thank you Bravo!FACT)
And so, the last piece of the puzzle, who would be the voice of the
film? After years of putting this all together, who would be the
narrator? The producers of the film, Rodrigo Gudino and Marco Pecota
(creators of Rue Morgue magazine), posed the question to me: If we could
get anyone to perform the narration, who would be on the top of your
list? Immediately the flickering Disney skeletons took shape in my head
and began their ridiculous waltz.
“Peter Murphy”.
To make a long story short. They found him. They got him. And he
agreed to do it. I had the wonderful opportunity to direct an idol of
mine to perform the poem that had originally been inspired by his voice.
It was a mind blowing synchronicity that to this day, I just can’t wrap
my head around. He was a charmer and a gentlemen to meet in person. I
think I am one of the lucky few people who does not have the archetype
of an idol smashed to bits when meeting the real life flesh and blood
version.
I asked Peter to add some vocal touches to the soundscape when we
were recording his narration to the final edit of the film. The entire
room fell silent as he began to orchestrate what he described as a
“white tribal choir”.
Peter layered a collection of what I can only describe as primal
screaming, ghostly moans and angelic sweet nothings into one beautiful
monstrous sonic ribbon.
Keep in mind, that this was recorded without any fx on the board and it was done in one take.
“Was that ok?’ he asked politely when he was done.
The lot of us sat there unresponsive for a more than a moment, paralyzed by our own goosebumps.
“Yes Peter, that was ‘good’….”
Ojalá pronto podamos disfrutar de esta pequeña genialidad ;-)
***
